top of page

Season 32  •  Summer Concert Series

S32-web-concert page headers_03.jpg

Aug 23 • Eclectic Winds

3:00pm  •  First Unitarian Universalist Church

This concert is generously supported by Dr. Susan Gershenshorn & Dr. James Lazarus

Woodwind Quartet No. 2

Gioachino Rossini (1792–1868)

I. Allegro
II. Andante
III. Allegro

Jeux d’eau

Maurice Ravel (1837–1937)

Impromptu Op. 90, No. 3
Impromptu Op. 90, No. 2

Franz Schubert (1797–1828)

Bachianas Brasilieras No. 6 for Flute & Bassoon

Heitor Villa-Lobos (1887–1959)

Ária (chôro)
Fantasia (Allegro)

Quintet for Winds & Piano in F Major, Op. 55

Anton Rubinstein (1829–1924)

I. Allegro non troppo
II. Scherzo. Allegro assai 
III. Andante con moto
IV. Allegro appassionato

Performers

Mark Teplitsky, Flute
Ilya Shterenberg, Clarinet
Maggie O’Leary, Bassoon
Jeff Garza, French Horn
Tamila Salimdjanova, Piano

Program Notes

Woodwind Quartet No. 2 (1804)

Gioachino Rossini

Gioacchino Rossini was an Italian composer best known for his operas, which established him as one of the leading figures in the early nineteenth-century classical scene. After largely withdrawing from large-scale composition later in life, he wrote a series of chamber works, including the Soirées musicales and the Quartets for Flute, Clarinet, Bassoon, and Horn, often referred to as his Wind Quartets. The Wind Quartet No. 2 in G Major is a short, early work for flute, clarinet, bassoon, and horn. Like much of Rossini’s instrumental writing, it reflects his operatic background, with emphasis on melody, clear phrasing, and lively rhythmic gesture rather than extended developmental processes.

Jeux d’eau (1901)

Maurice Ravel

Composed in 1901, Jeux d’eau is a solo piano work whose title translates as “fountains” or “play of water.” Ravel dedicated the piece to his teacher, Gabriel Fauré. The work is often cited as an early example of Ravel’s exploration of piano sonority and shimmering figurations. The piece is built around rapid arpeggios, cascading runs, and layered textures that suggest flowing and reflective water. Its structure is relatively free, unfolding through contrasting episodes rather than strict classical form, with recurring figurations that create continuity throughout the work. Harmonic language frequently shifts through unexpected modulations, contributing to the sense of fluid motion. Jeux d’eau reflects Ravel’s interest in translating visual and natural imagery into piano texture.

Impromptu Op. 90, No. 3 (1827)
Impromptu Op. 90, No. 2 (1827)

Franz Schubert

Composed in 1827, Schubert's Op. 90 Impromptus are among the most celebrated works in the piano repertoire. Though titled "Impromptus," they are carefully crafted compositions that blend Classical elegance with the expressive warmth of the Romantic era. Throughout the set, Schubert's extraordinary gift for melody takes center stage, often creating the impression of a singer at the piano. While No. 2 dazzles with its flowing perpetual-motion triplets and brilliant virtuosity, No. 3 offers a striking contrast through one of Schubert's most beloved song-like melodies.

Bachianas Brasilieras No. 6 for Flute & Bassoon (1939)

Heitor Villa-Lobos

Heitor Villa-Lobos was a Brazilian composer whose work combined elements of Brazilian folk and popular music with techniques and forms drawn from European classical traditions. He was largely self-taught as a composer and developed his musical voice outside of traditional conservatory training. In the 1930s and 1940s, he composed a series of nine works titled Bachianas Brasileiras, which reflect his interest in blending the style of Johann Sebastian Bach with Brazilian musical idioms.


Bachianas Brasileiras No. 6, written in 1938, is scored for flute and bassoon and is the only work in the series written for this specific duo. It consists of two movements: a slow opening movement followed by a faster concluding movement. The writing emphasizes counterpoint between the two instruments, with the flute often carrying lyrical lines above more articulated bassoon figures.

Quintet for Winds & Piano in F Major, Op. 55 (1855)

Anton Rubinstein

Anton Rubinstein was a Russian pianist, composer, and conductor whose career spanned much of nineteenth-century European musical life. A celebrated virtuoso at the keyboard, he was also an important figure in the development of Russian classical music institutions, including the founding of the Saint Petersburg Conservatory. His compositional output was extensive and included symphonies, operas, chamber music, and a large body of piano works, though much of it is less frequently performed today than his reputation as a pianist and teacher might suggest.


Composed in 1854, the Quintet for Piano and Winds in F Major is scored for piano, flute, oboe, clarinet, and bassoon. The work reflects the influence of early Romantic chamber music, particularly in its combination of piano writing with wind timbres in an ensemble setting. The opening movement presents sonata-form design with thematic material shared between piano and winds, often alternating between soloistic passages and fuller ensemble textures. The second movement is slower and more lyrical in character, featuring extended melodic lines and transparent accompaniment. The final movement is more animated, built from rhythmic figures and lighter textures that allow for frequent interplay among all five instruments, bringing the work to a close with a sense of forward motion.

Olmos Ensemble

P.O. Box 701864  •  San Antonio, TX 78270

​

Our concerts are always free.

We rely 100% on donations. Please consider donating today!

© 2026 Olmos Ensemble. All Rights Reserved.

bottom of page